It’s a wildly comprehensive, hella realistic virtual instrument for people who like hitting things with sticks but simply don’t have time – or a comprehensive collection of percussion instruments – at their disposal. The consequence of all of this: you can run two complementary sounds in one Chromaphone patch, each wielding a pair of resonators, a different sequence or arp pattern, different modulation and different effects. Modulation is assignable per layer, as are a choice of 14 effects, and the well-featured arpeggiator and sequencer. Instead of selecting a paltry two of these resonators to run alongside each other or coupled together, the physical phun is doubled here, as you select two pairs of them, with control over each one’s properties, and those of the mallet you’re virtually smacking them with. Furthermore, the five effect slots can be re-arranged in any order.(Image credit: Applied Acoustic Systems) Applied Acoustic Systems Chromaphone 3Ĭhromaphone was already an excellent physical modelling synth for creating realistic sounds by simulating the properties of bars, membranes, tubes, plates et al, but version 3 makes things even more flexible. Simply copy Chromaohone 2 banks in Chromaphone 3’s packs folder to convert them.Ĭhromaphone 3’s multi-effects module now sports reverb, equalizer, compressor, tremolo, and guitar amplifier processors for even more completeness. NEAT Compatible with Chromaphone 2 sounds IMPROVED Microtonal tunings via Scala scale filesĬhromaphone 3 now supports the Scala scale file format as well as reference note frequency tuning for microtonal music making. Each and every sound features modulation, timbre, envelope, and effect morphing assignments that can be played in real time for enhanced expressivity and sonic dimension. With Packs, Sounds, Categories, and Creators views, Chromaphone 3’s brand-new browser offers an efficient way to home in on the sounds you’re looking for.Ĭhromaphone 3 now boasts four performance macros per layer that respond to user-defined MIDI controls. That’s an extra 676 solid sounds in your hands. They now boast a consistent gain-stage, unity-gain effects, better dynamics, and compelling real-time sound transformation assignments to take advantage of the new features of Chromaphone 3. Each and every sound of the legacy Chromaphone 2 library went under the eyes of the AAS team members. It’s with great pride that we present these new signature sounds.Ī long and fastidious process of fine-tuning went down in the AAS quarters. Michel Basque, Christian Halten, Jerry Kovarsky, Christian Laffitte, Niall McCallum, Adam Pietruszko, Daniel Stawczyk, Sean Divine, and Venus Theory form an incredible team that made the most of the latest Chromaphone 3 features.
#Applied acoustics chromaphone vsti free#
With macros mapped to key sound characteristics-modulation, timbre, envelope, and effect-the Home view presents a distraction free and laidback browsing and tweaking experience.Ĭhromaphone 3 combines two independent timbres-stacked or split-to create performance-friendly, texture-full, and spacious sounds that are sure to make a good impression.Ĭhromaphone 3 ships with a completely new factory library of 421 sounds created by top sound designers. We have streamlined Chromaphone and brought it to a whole new level.